No More White Walls

"Great paintings shouldn’t be in museums. Have you ever been in a museum? Museums are cemeteries. Paintings should be on the walls of restaurants, in dime stores, in gas stations, in men’s rooms. Great paintings should be where people hang out. You can’t see great paintings. You pay half a million and hang one in your house and one guest sees it. That’s not art. That’s a shame, a crime. All this art they’ve been talking about is nonexistent. It just remains on the shelf. It doesn’t make anyone happier. Just think how many people would really feel great if they could see a Picasso in their daily diner." - Bob Dylan


Contact:
nomorewhitewalls@gmail.com

artpedia:

Edvard Munch - Train Smoke, 1900. Oil on canvas 

cavetocanvas:

Honoré Daumier, The Fugitives, c. 1849-50

cavetocanvas:

Honoré Daumier, At the Theater (The Melodrama), c. 1860-64

cavetocanvas:

Honoré Daumier, The Painter at His Easel, c. 1870-75

cavetocanvas:

Honoré Daumier, The Drinkers, n.d.

From the Metropolitan Museum of Art:

This painting, which was first exhibited in Paris in 1861, bears some resemblance to an illustration by Gavarni that was published twenty years earlier. The escape that alcohol offered to the poor is typical of the social themes Daumier explored throughout his career. The first owner of this work was the landscape painter Charles Daubigny.

cavetocanvas:

Ed Ruscha, Man Walking Away From It All, 1985

artpedia:

Edgar Degas - Dancers, Pink and Green, 1890. Oil on canvas 

cavetocanvas:

Claude Lorrain, Landscape with the Embarkment of Saint Paula Romana in Ostia, 1639-40

From the Museo del Prado:

Saint Paula lived in Rome in the fourth century A.D. After distributing her wealth among the poor, she moved to Bethlehem to live as a hermit under the guidance of Saint Jerome, whom she cared for and aided in his studies. Together, they founded numerous monasteries. 

This work by Lorraine is a masterpiece in the history of landscape painting. It shows Saint Paula embarking for Palestine and saying farewell to her children. The extraordinarily classical composition combines architectural mass with vegetation, creating a great sense of depth thanks to the shining light coming from the horizon. 

artandopinion:

Isle of the Dead

1880

Arnold Bocklin

Gustav Klimt, The Virgin, 1913.

(via cavetocanvas)